Also, how come whenever I see Jim Shannon (Jason O'Mara) on screen, I keep expecting and waiting for him to break into song and dance when a Dino attacks him? Maybe it has to do with him looking like his long lost twin, Matthew Morrison (Will Schuester from Glee).
Fox’s grand dino experiment has set a (first season?) conclusion: Terra Nova will finish its 13-hour run on Monday, December 19. The show will finish how it ended, with a two-hour episode (see last night’s recap, “What Just Happened,” here). Last night’s Terra Nova ratings are disrupted by Fox’s baseball coverage, but it looks like, after holding steady the first two weeks, the show might have dipped a bit.
That blurb makes it sound like this is nothing more than a 13 episode series.
Yep, that's all she wrote.
Two interesting articles on Terra Nova so far.
I tend to agree with some of the observations. Something has to change to keep me engaged.
Safety is Boring (http://latimesblogs.latimes.com/showtracker/2011/10/terra-nova-recap-safety-is-boring.html)
Pterosaur ptime (http://latimesblogs.latimes.com/showtracker/2011/10/terra-nova-recap-pterosaur-ptime.html)
ENTERTAINMENT WEEKLY: Congratulations on the ratings uptick. I hear the show is going to get more serialized from here on?
RENÉ ECHEVARRIA: It does. We’re going to roll out the whole Sixer mythology this season. You’re going to see who sent them here and why, and it all comes to a head in the season finale.
BRANNON BRAGA: Whether it’s the strange markings on the rocks, or even the new thing we introduced Monday night with the container, all these things will culminate and be explored by the end of the 13. And it’s been fun doing that. As the episodes go on, the momentum will build with the ongoing storylines.
It was almost like you had these serialized elements in the pilot, then Fox said “make it more stand-alone.”
BB: Are you sleeping with a network executive? Do you have spies?
That’s sort of what happened on Fringe.
RE: It’s true in the first couple episodes, you do want to cast a wide net. And we are picking up those threads now. The story with Josh picks up a lot of heat about what he’s willing to do to get his girl here, and he gets way in over his head. It was an unexpected discovery as the season went along that this was a way to play scenes with the Sixers, but not with the adults. And it gives Josh and odd romantic triangle with Skye — how does she compete with an idealized person?
BB: The question was asked in [Monday's] episode — which we thought was a good template for what the show really is going to be like moving forward, with a mixture of stand-alone elements and ongoing storyline — there was a question asked: “What is Terra Nova really all about?” That’s a question we’ll begin to answer. Things are not what they appear to be. Clearly Taylor has secrets. Jim is keeping things about his Sixer visit from Taylor. And there’s something big going on that Jim finds himself in the middle of.
Will we see more of 2149?
RE: We don’t see a lot of 2149. We come to see the conspiracy with the Sixers is being orchestrated in 2149, and as we get toward the season finale we will go to 2149 and see that more explicitly. But most of our storytelling takes place in Terra Nova.
BB: When we do go there, it’s very cool.
It’s a pretty cheerful show, usually. Was that a point of discussion — that to be a ‘family show’ it also needed a light tone?
RE: It’s the DNA of the show. It’s about a family with teenage kids and a really young daughter.
BB: There’s an optimism about the show that we like. Which isn’t to say things aren’t going to get pretty scary. Dramatic things are going to happen with big challenges to the family.
RE: Taylor and Jim are going to find themselves on a collision course about a secret Taylor is keeping.
BB: At it’s heart, this is not a cynical show. You called it “cheerful.” As René said, it’s in the DNA. It’s something we’ve always liked about the show — that even in its darkest hours it’s about a family that’s sticking together.
RE: You also want people to have that feeling — “I want to go to Terra Nova, I want to live in Terra Nova.” People die, bad **** happens, but you want to have that feeling. That’s one of the chords we’re trying to strike.
It does have a great farmer’s market.
RE: I read that recap you did of “Instinct”–
Ohhhh.
BB: We’ve read all of it. It’s very funny stuff. You should have written for Mad magazine.
I like the show and I’m rooting for the show. Part of the recap format is to poke fun.
RE: I do have notes. Your “Instinct” recap was funnier than “What Just Happened.” But then you got back into style with “New Girl.” We could be meta and do reviews of your reviews.
That would be quite meta! So can you tease to some of the cool dinos coming up?
RE: Halloween night teases “murder-by-dinosaur.” There’s a great new dinosaur described as a “shark on legs” called a Nykoraptor. It’s incredibly fast and can climb incredibly fast. It’s sort of our version of a velociraptor. It’s only about four-feet tall, but trouble.
BB: Then we have the biggest dinosaur we’ve done, the biggest in the fossil record. It looks amazing. We’re also doing an ancestral Komodo dragon.
It seems like the bigger they are, the harder they are to make real. Like the one that comes over the fence in the pilot, or even in Jurassic Park, the brontosaurus herd in the beginning. Maybe it’s because we’re not used to seeing animals that large.
BB: Broad daylight is also more of a challenge.
RE: That’s my theory. Most of the dinosaurs in Jurassic Park were at night.
I hear you have a big cliffhanger planned for the finale?
RE: It’s kind of a cliffhanger. Everything is played out. All the elements come to a head, it’s a two-hour finale. The 11th Pilgrimage is scheduled to arrive — and who’s going to show up? The Sixer stuff gets answered and explained. We also tee up a new mystery, so in that sense it’s a cliffhanger.
So you guys are firmly betting on a second season?
RE: We are hopeful and betting. And maybe even feeling confident.
Originally with the pilot, we got a sense that there’s all these cooks in the kitchen. By the end of shooting the season, were you left alone to do your show? Or was it a collaborative process throughout?
RE: The show is so full of possibility. It could be so many things. There were so many voices about what it could be. It was hard sometimes for people to give up — when it can’t be [two things at once]. Sometimes to open a door you have to shut another door. It’s not going to be “24 in Jurassic Park.” So, yeah, at a certain point people started to breathe a little easier and the storytelling took on a life on its own. We saw what was working and what characters were working and started following that — like any show in success. What’s challenging is TV is a lot about comfort food — tuning in and knowing what you’re going to get. And I don’t know the show is that. Next week is kind of a murder mystery. The week after that is a big disaster movie. The next is an intimate chamber piece that’s almost exclusively about Josh and Maddy–
BB: It’s a Hitch****ian thriller involving the kids.
RE: — And then next week is a big mythological show where Jim and Taylor go head-to-head
You mentioned Josh and Maddy. One frequent target in the comments is the teen romance. I’m not sure if that’s widely felt, or just an older segment of viewers who aren’t into it.
BB: We discovered we had these teenagers in a very unlikely prehistoric sci-fi situation. Things are not typical here. You’re expected to grow up quickly. I was at Comic-Con and we screened “Runaway” and there was an audience of about 2,000 people and they loved the Mark Reynolds and Maddy Shannon [courtship scene].
RE: There’s all these soldiers [at Terra Nova] so there’s a lot of single guys. And then there’s these young colonists. Taylor has these old-fashion rules about how you interact with them — you have to court them. There’s a big storyline for Mark and Maddy. We see their first full-on date and it couldn’t possibly go worse.
Can you guys kill a dinosaur?
RE: We can kill a dinosaur.
Will you kill a dinosaur?
RE: You will see a dinosaur die this season, yes.
They all seem very intent on protecting the local wildlife.
BB: They came to co-exist. They’re not going to kill a predator unless they have to; they have sonic weapons. People can get eaten all you want, but dogs and dinosaurs — people don’t like to see them get hurt.
Clearly Taylor can communicate with the future. Is how that happens something we’re supposed to know, or is that deliberately being held back?
BB: When the portal is open, we can talk to the future. We can exchange data. So every four to six months we can talk. But in between we’re cut off.
Ahhh, okay. If Terra Nova gets a second season, what’s your vision for the show moving forward?
RE: We’ve found the balance we’re comfortable with, the family, the mythology, the testosterone elements. It’s not for everybody. And I know there are moments where people who are there for the testosterone [action] are going to roll their eyes. And there are going to be some moments where families who tuned in are going to want to cover their kids’ eyes.
So if it comes back, will it be for another 13?
RE: We’ll be happy to deliver whatever number [Fox] says. There might be a number between 13 and 22. It might be hard to deliver 22 because we have this eight-week post-production period for the effects — the dinosaurs, the set extensions. Every time you step in the infirmary you have what’s on those [digital display] screens.
Anything else you’d like to add?
RE: We can say that a beloved character is going to die before the end of the season.
The Runaway
Ok, we are into the 4th episode, and for another week of indifference in story telling, Terra Nova is just becoming boring family fare. Leah, the little girl runaway immediately screams ripoff Newt from Aliens, but soon devolves into nothing nearly as interesting.
As mentioned before, the stories are not gripping. There’s no sense of urgency. The pieces of bait they throw us has gone past ‘I don’t really care now’. And especially true in last nights show, the whole idea of complexities of time travel, starting a new civilization, dinosaurs, etc, has become pushed into background… so much so, the stories can be told in any point of history. I’ll give it a few more watches, but I’m becoming deeply disappointed in this show.
I purposely have to avoid your reviews until I see the episode for myself. But it's interesting to see that you are seeing exactly what I'm seeing as for as writing and swiping is concerned. I would think that Spielberg would at least try to actually produce the show. Why would he want to go where others have already gone before. Dude, if you are going to steal, at least steal from your own movies. It's like they are purposely avoiding any thing from Jurassic Park, but have no problems with other movies. Go figure.
Stephen Lang isn't wasting any time waiting on word from Fox if Terra Nova will be picked up for a second season. The actor has just signed on for a three-episode arc on USA's In Plain Sight, playing the troubled father of Mary Shannon (Mary McCormack) — a pivotal character repeatedly referenced over the past four seasons.
Stephen's character, James Wiley Shannon, is a charming career criminal who abandoned Mary as a child more than 30 years ago. Wanted by the FBI, James has lived a life on the run. His surprising return leads Mary to confront tough choices that will cause her to re-evaluate her life. Stephen previously received acclaim for his 2009 role as Axel Kaspers on Law & Order: Criminal Intent and his co-starring role alongside Johnny Depp in Public Enemies.
In Plain Sight's fifth and final season premieres March 16 at 10/9c.
Not sure if you passed over the 'Alcatraz' news at the end. I thought you might be watching that?
I think they said they saved Arrested Development?
Earlier this week we got wind that Netflix may be investigating the possibility of producing new episodes of the recently cancelled Fox series Terra Nova for broadcast on their streaming service. They’ve already committed to doing just that, for the once cancelled but much loved series Arrested Development. But in the case of Terra Nova, it feels like the wrong move.
The list of great science fiction programs unfairly cancelled before their time is long and, while Terra Nova has its charms, it should be near the bottom of the list when it comes to looking at cancelled sci-fi that Netflix should bring back. To help them figure out their next move we’ve put together a comprehensive guide to the science fiction shows which not only should be resurrected by Netflix before they can consider Terra Nova, but also shows which it’s realistic to consider. That means no matter how much we loved Quantum Leap we realize it’s been gone so long there’s no way to bring it back. But Netflix could and should look into making new episodes of these shows, instead…
Firefly
Fox produced fourteen episodes of Firefly. Only eleven of those actually aired before the show’s all too soon cancellation in December of 2002. It didn’t take long before Fox realized they’d made a huge mistake. In that short time the Joss Whedon written and produced space western earned an army of devoted fans who were left angry and clamoring for more. Hollywood responded by turning it into a movie in 2005 called Serenity, but even that really just scratched the surface of this show’s potential. It’s been gone a long time but when interviewed the cast retains an enthusiastic longing to do more. In 2011 star Nathan Fillion even hinted that if he had the money himself, he’d buy the rights to Firefly and make it on his own. The cast seems willing to do more and the rabid fanbase for the series hasn’t evaporated. In fact, while on the air, Firefly’s rating were better than those of Arrested Development, another cancelled television show which Netflix has already committed to bringing back. The Browncoats are ready waiting should Netflix aim to misbehave.
Dollhouse
This is the other Joss Whedon written and produced series cancelled by Fox and while it was never as popular as Firefly it would probably be even easier to resurrect. The show aired 27 episodes between 2009 and 2010 before being cancelled, leaving the story of a beautiful brainwashed spy (played by Eliza Dushku) and the secret corporation she works for, unfinished. Unlike a lot of the other shows on this list Dollhouse doesn’t quire a lot of outer space effects. They don’t even really need to bring back Eliza Dushku. Any resurrection of the series could easily pick up the story of some other Doll from the Dollhouse and carry on from there. At its peak Dollhouse earned around 4.63 million viewers, roughly as many as the already in Netflix production (and likely to be more expensive to make given the cast) Arrested Development. Dollhouse may be the easiest show on this list to re-produce and with the loyalty of Joss Whedon fans to support it, this should be an incredibly attractive property for Netflix resurrection consideration.
Defying Gravity
Defying Gravity was one of those shows network television cancelled so fast almost no one had a chance to realize it was on the air. Eight episodes hit the airwaves in August and September of 2009, and with very little promotional effort behind them, it seemed clear that ABC had given up on it before the show even began. But hidden in those eight episodes and the other 5 which would eventually air on deep cable was loads of potential in telling the story of the first manned exploration of our solar system. The special effects, which included realistic depictions of weightlessness and sets which had a 2001: A Space Odyssey feel, were stunning and the characters (lead by Office Space’s Ron Livingston as chief engineer) were only beginning to unfold when the show was unceremoniously ended. It was an ambitious project, maybe even too ambitious for Netflix to take on, but if they really want to make a splash retooling and bringing back something as fresh and unique as Defying Gravity might be the way to do it.
Star Trek
Thanks to the 2009 movie the Star Trek universe has really moved on since the cancellation of Enterprise in 2005. There’s another movie on the way but at some point Star Trek really needs to find a way to get back on television. Netflix might be the perfect place to do it, as an experimental outlet willing to test out more niche Trek series ideas while leaving room for some big network to swoop in and start a more traditional Trek series too. For instance some have suggested that the next Trek could try exploring the inner workings of lesser known parts of the universe, maybe an entire series based on examining the inner workings of the Federation Council. It would play out like West Wing but set in the future. Or perhaps a Trek series set entirely in the Klingon Empire, following the exploits of a Klingon crew aboard a Bird of Prey. Star Trek: Bird of Prey would be a badass name for a series. Meanwhile CBS would still be free to do a more traditional Trek series on their channels, letting these other ideas play out on Netflix in the hopes that one of them might take off.
Terminator: The Sarah Connor Chronicles
I was skeptical going into TSCC, to say the least. At the time the last we’d seen of the Terminator franchise was the forgettable Terminator 3: Rise of the Machines, and even that had felt like an unnecessary return to the well. Two performances changed my mind. As the show’s incarnation of Sarah Connor, Lena Headey found ways to make the role her own without just doing a Linda Hamilton impersonation. Summer Glau added yet another “ass-kicking female” role to her resume as a reprogrammed Terminator disguised as a high-school cheerleader. The show also found ways to build on the established mythology without outright contradicting it, but Fox decided not to renew it after the second season. That left fans with a nasty cliffhanger just itching to be continued, with young John Connor trapped in the apocalyptic future he’d been trying to prevent. The biggest obstacle would be luring the leads back, since Lena is doing Game of Thrones and Thomas Dekker is on the CW’s Secret Circle. Unless Summer Glau’s role in the next season of Syfy’s Alphas is increased dramatically, she might be easier to get. As for Brian Austin Green, you’d presumably just have to drag him off Megan Fox.
Odyssey 5
This is the real long-shot of the bunch, as it aired a full decade ago and many of you have probably never even seen an episode. Odyssey 5 follows five shuttle astronauts who witness Earth’s destruction from orbit, and are then thrown back in time by an alien intelligence known as the Seeker. They have five years to solve the mystery of Earth’s destruction, and prevent it from happening. Unfortunately, Showtime canceled the series after one season and left the show without any resolution. Odyssey 5 was the creation of Manny Coto, who went on to run the final season of Star Trek: Enterprise. The show’s biggest star was Peter Weller, who played mission commander Chuck Taggart. He’s doing some directing in recent years but isn’t tied down to a continuing series, so he could conceivably be lured back, especially if Netflix baited him with the prospect of directing some of the episodes. This is probably the least likely of our picks, but I for one would love to see where the show was headed. As for the actors aging a decade? Just claim it’s an adverse effect of being thrown back in time.
Journeyman
Another one-season wonder that I really enjoyed, Journeyman aired for 13 short episodes back in 2007. Kevin McKidd starred as Dan Vasser, a newspaper reporter who finds himself being thrown back in time over and over again, each time meant to help a certain individual avoid an unpleasant fate. The whole “setting right what once went wrong” thing is a concept that’s been done many times before, most notably in Quantum Leap, but Journeyman did it well. It was also building up a fascinating mythology involving other time-jumpers, including Dan’s formerly believed-dead fiance (played by Moon Bloodgood), and the origins of Dan’s abilities. There is still plenty of meat to the concept to merit a resurrection. McKidd has been appearing on Grey’s Anatomy and Bloodgood is on TNT’s Falling Skies, but since Netflix isn’t restricted to a specific season length, they still might be able to make it work. Unfortunately, series creator Kevin Falls has moved on to running TNT’s Franklin and Bash, which might make things tricky.
Stargate Universe
Stargate is without question the most popular science fiction franchise of the modern era. When it debuted in 2009 Stargate Universe was an attempt to get away from the formula of previous Stargate series’ in favor of telling the more self-contained story of a group of humans stranded on the other side of the universe in a starship they couldn’t really control. After a slow start the show’s scripts started to pick up steam as the ensemble cast (led by Robert Carlyle and Louis Ferreira) found a real chemistry and there seemed to be real potential there… right before its unceremonious cancellation by the SyFy network in 2010. Of all the shows on this list Stargate Universe would be the easiest to bring back. It hasn’t been gone long and most of the cast should still be available. It would be easy to pick right up where the show left off, almost as though it had never been gone. There’s huge potential here, if Netflix just bites and the existing Stargate fanbase is big enough and devoted enough that they’re sure to show up and give it a shot at living up to the potential only glimpsed in the series’ final few episodes.
Farscape
It’s been almost a decade since Farscape last graced the airwaves, but it’s the show I would most love to see return, even more than Firefly. No other fictional universe has intrigued me like Farscape‘s, and I challenge you to find two leading actors with better chemistry together than Ben Browder and Claudia Black. Claudia has done lots of voiceover work and put in some TV appearances in recent years. Ben’s last recurring role was on Stargate SG-1. It’s criminal that these two didn’t become bigger stars after Farscape, so I’d love to see them back in the roles that made many fans fall in love with them. There has been talk of resurrecting it in some form over the years, including as webisodes, but the closest we’ve come is the ongoing comic series by Boom! Studios. Creator Rockne S. O’Bannon is at work on the CW pilot Cult, but assuming that doesn’t go to series I have a feeling he could be lured back to work on his baby again. Farscape still has a devoted fanbase even all these years later, and god knows it’s a better show than Terra Nova. Let’s make it happen, Netflix.
Jericho
Cancelled after the completion of its first full season, fan support for Jericho was so strong that CBS was forced to bring it back. It wasn’t enough, however, for them to keep it on the air for very long. After an abbreviated second season, Jericho’s story of a small town surviving in the aftermath of all out nuclear disaster, left the airwaves never to return. It seems like a slam dunk to bring it back. The show left fans with many unanswered questions, a story still left to be told. And those fans, who were so devoted to the series that they launched a campaign which strongarmed network television into giving it more, are sure to show up again in support of the Jericho cause should Netflix have the good judgement to give it a second chance. Better still, since most of it is set in a very familiar modern-day town, productions costs should be low enough that it won’t require much of an investment from the streaming service. Bring back Jericho just makes sense.
The dinos of Terra Nova are now even more extinct. Despite an 11th hour attempt by Netflix to keep the show alive, a deal could not be reached and the show's producers are ready to throw in the towel.
Netflix was interested in the show, and talks had been ongoing with 20th Century Fox TV to keep Terra Nova alive. But sticking points began to emerge — and not just production costs. As a result, at least two insiders have confirmed to TV Guide Magazine that it's all over for Terra Nova.
According to one source, international broadcasters may not have been keen on the idea of Netflix serving as the sole U.S. "broadcaster" of Terra Nova. Netflix, still new to the original programming game, doesn't carry the same marketing heft or cache that a TV network does, and international outlets perhaps weren't sure they wanted to commit to another season without an actual broadcast or cable channel attached. While a studio source pointed to Futurama as an example of a show that was resurrected down the road, such a move is unlikely for Terra Nova.
Even after Fox finally decided to cancel Terra Nova, the prehistoric time-traveling drama's cast and crew were holding out for a dino-sized miracle. "[Fox] will regret the decision," lamented one person with ties to the show. "We felt with some changes, the show could live up to potential and be something unique."
Netflix began an investigation into saving the Steven Spielberg series from extinction, but it appeared to be a long shot from the beginning. Such a deal would represent another pricy programming play for Netflix, which is spending $100 million for two seasons of the Kevin Spacey original drama House of Cards, and will fork over millions more to resurrect Fox's long-canceled Arrested Development. Netflix is also said to be interested in rescuing ABC's The River, but that show hasn't even been officially canceled yet.
Terra Nova costs at least $4 million an episode, which is why a cable home was unlikely. "We'll certainly try," one producer said early on of shopping the show. Terra Nova's cast remains under contract, but as days dragged on after the Fox cancellation, they began to look at other work. Most notably, star Jason O'Mara signed on in second position to star opposite Dennis Quaid, Michael Chiklis and Carrie-Anne Moss in CBS' untitled 1960s-set Ralph Lamb pilot. Terra Nova series regular Allison Miller was also cast as a "guest star" in the NBC comedy pilot Go On.
Stephen Lang, who plays Commander Nathaniel Taylor, called the cancellation "myopic" and compared Terra Nova to the initially troubled Hubble Space Telescope: "Even in its flawed first season, each episode was full of marvelous moments and beautiful images," he said in a statement.
While Terra Nova didn't live up to the hype or its major marketing campaign, the show averaged a decent 2.5 rating among adults 18-49 and 7.5 million viewers. "It was an exciting bet to take, and I think it's proven that it was worthwhile," Fox Entertainment president Kevin Reilly said in January. "We made money on it, the studio made money on it, the audience loved it, the show looked fantastic."
Sources inside Terra Nova say they believe Reilly grew wary of the drama's early production problems and lost interest as the show struggled to find a creative footing. Terra Nova tried to be all things to all viewers — sci-fi show, dinosaur thriller, family drama, police procedural and teen soap. "The show was hunting for itself creatively through the season," Reilly said.
But just as Fox was about to abandon Terra Nova, it roared back with a splashy season finale in December: The portal between the future and the past was blown up, creating a whole new scenario for season two. "That allowed us to hit the reset button and go any way we wanted to go," says one insider. "What is it like in this place when it's totally cut off from the future? It changes things in a dramatic way."
As the show's producers pitched several different scenarios for next year, a contingent inside Fox fought for the renewal and a decision kept being pushed back. Fans also began bombarding Reilly with toy dinosaur figurines (which he later donated to a kids' charity). The longer Fox waited — execs originally planned to give producers their decision in January — the more it looked like a cancellation was imminent.
By the start of March, producers say it was probably already too late to get Terra Nova on the fall schedule. "Kevin took it to the last moment, and beyond a couple weeks when we could have even hit fall," says one insider. "Once we couldn't hit fall, he wasn't sure he wanted to bring us back much later. The indecision became the decision."
As Netflix Talks End, Terra Nova Looks Officially Over